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sweetwater

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Everything posted by sweetwater

  1. Yay! I've been waiting for this kind of feature! Thank you!
  2. I thought that Yuzu had quit being a mushroom long before Sochi, but he looks a bit mushroomy in these videos compared to now, and he looks so young…
  3. About the room assignment in Sochi, there were many comments/reports that contradict each other. Probably it was changed several times depending on the situation, like assigning a room for each man before Men’s event and once it was over each lady could use a room or something like that. Yuzu was spotted in the footage filmed in the restaurant in the Olympic village aired before the team event or Men’s event, so he must have been staying there at the beginning of the Olympic games. However, after he won the OGM he was very busy and sick (he had swollen tonsils,) so he probably moved to the multi-support house provided by Japan Sports Council. You can read a quote from an article reporting his condition after Men’s event here. (though it's in Japanese) I can’t provide a link to the news footage filmed in Olympic village though. It’s very old. Found it.
  4. Could be a SC stuff who guided/escorted him during the competition? In this clip he is always with Yuzu when the team gets off their car. Thank you for sharing
  5. Thank you for the video and translation I missed this program and was curious about what Nobu said about Yuzu. Glad to be able to see it here. I think singcarom’s explanation is mostly correct, but may I correct one thing in behalf of Yuzu? On how Yuzu “bullies” Nobu, he says that Yuzu tells him “これでボケて (Kore de bokete.)” This doesn’t mean Yuzu makes Nobu look stupid. When they are together, sometimes Yuzu suddenly cues Nobu to make jokes on things they encounter, saying “これでボケて.” Boke is Japanese name for the funny man of a double act, and bokete means “play funny man (imperative form,)” which Nobu actually can do quite well and likes to do. In some fluff piece we can actually see how Yuzu cues Nobu and how Nobu reacts. However, in a short footage inserted in FaOI Kobe (where they were eating takoyaki,) Yuzu was playing funny man by singing a song made by a comedian and Nobu was playing straight man by decisively dismissing the joke as being too old, so their roles might be switchable.
  6. That may be a good idea. Spotting posts with video links and quoting them in other thread is much harder than providing a list of links you’ve already have. (If that is easy you have no problem now, don’t you think so?) Could you let me handle this? I’ll make a list first and think how I can share it.
  7. I can help to make a list of links of clips from Japanese TV. Should we have a video thread for each competition or is it better to post such list in competition-discussion thread?
  8. The announcer and some skating magazines published after Sochi tried to use that name, so those who were around that time should know the term. However, like “Fanyu,” it was used rather mockingly by a few outsiders, and now it is mainly used as an insult by antis. In these days many people in Japan know who Yuzu is and casually follow him, and they all have different backgrounds and different reasons to like him, so there’s no need to label such people by giving a special name. I would just call them (us) “Hanyu-kun no fan (羽生くんのファン).”
  9. Actually, ユヅリスト is not a popular name for Yuzu fans in Japan. It’s a name given by an announcer several years ago. At that time he didn’t know much about Yuzu or his fans, so he tried to nickname us inspired by “Sayurist,” fans of a Japanese actress Sayuri Yoshinaga. Her name finishes with a sound of “i” so calling her fans “-ist” was understandable, but Yuzu was not Yuzuri, and we didn’t want to be nicknamed by anyone who didn’t even know us, so it didn’t take root.
  10. I read this article but I don’t know exactly what he is talking about, because the Japanese text in this article itself looks kind of like Google translation from Russian. I’m sure he said something good about Yuzu, though…
  11. Thank you for sharing this Please enjoy every moment in the competition! Looking forward to hearing from you and other satellites in the venue about your experience!
  12. Some other reports and comments from Yuzu in other articles: According to Hochi, he started to have a sense of discomfort in his right knee from10 days ago. He will do 4S instead of 4Lo in his SP. His jump layout in FS is going to be 3Lz, 3Lo, 3F // 4S-3T, 4T-1Lo-3S, 4T, 3A-2T, 3A http://www.hochi.co.jp/sports/winter/20170922-OHT1T50053.html According to Daily Sports, at first, Brian didn’t tell him that he was going to compete with Javi here. So Yuzu was surprised when he heard about it and said “What?” (「えっ?」) Though he said he has been motivated by this situation, saying “I can train thinking “I’m not going to get beaten by him!” when we train together.” https://www.daily.co.jp/general/2017/09/22/0010577795.shtml Another Yuzu’s comment reported in several sources: “I want to focus on what I’m doing. I am clear about what I can do now, so I’m going to do what I have to do.” https://www.jiji.com/jc/article?k=2017092200360&g=spo http://www.sankei.com/photo/story/news/170922/sty1709220008-n1.html
  13. Awww congratulations Hydro! The swans have already reached the place where they are meant to be…
  14. Update on his right knee from Asahi http://www.asahi.com/articles/ASK9Q2CWMK9QUTQP004.html Rough translation of Yuzu related part: On September 21st (22th in JST,) figure skater Yuzuru Hanyu (ANA) participated in an open practice in the ice rink in Montreal, Canada where Autumn Classic International will be held. After the practice session, he revealed that he would not attempt 4Lo in this competition due to mild pain in his right knee. In the practice, he beautifully nailed 4T and 4S combination. Men’s SP will happen in 22nd. On his right knee, Hanyu said, “It hasn’t developed into a serious injury yet, but I am going to cut down on my right foot take-off jumps in order not to let it develop into serious one.” However, he is quite ambitious about other things. In FS he is planning to attempt two 3A and 3 quads in the second half. “As for the second half, I think this layout is the most difficult, and I want to nail all these jumps,” he said. Coach Brian Orser said that the quad Lutz is “part of our plan, our goal for this season.” About Hanyu’s condition, he said, “He is in the best shape ever. The pain (in his right knee) is a mild one. He doesn’t need to get treatment. However, in my experience, when you feel a pain, your body has something to tell you, so I decided to make him water down technically. He won’t attempt 4Lo. I think the pain was caused by fatigue from training.” ETA: I found many other translations have already posted. Sorry for not having checked well.
  15. During GPF Nagoya, you can throw gifts and bouquets only from the seats marked as “Arena” (see 座席図 in this page,) any day except December 10th. When you throw a bouquet, please get it wrapped up and make sure its contents (petals, leafs, etc) won’t fell on the ice. You can’t hang banners, but you can carry a banner in your seat as long as the banner is not wider than the width of your seat and wouldn’t obstruct other spectators’ view. source (Japanese)
  16. @Akiさんおめでとうございます! 全日当選すごいなー。 私は土曜だけ当選でした。それでも競技版のSEIMEIを会場で見られるのは初めてなので嬉しい気持ちです。 もう既にご存知の方も多そうですが、時々コラムで羽生くんのプログラムの分析をしてくださる高山真さんの新しい記事が来ていました。 http://www.premiumcyzo.com/modules/member/2017/09/post_7818/ 新しいバージョンのバラ1の分析が読み応えあって楽しいです。
  17. Have a safe trip, everyone goes to ACI and Hydro’s swans, and have a good time, everyone who’s already arrived in Canada! Looking forward to hearing about your experience at ACI
  18. In a broadcast of FaOI 2015, there was a short interview inserted after Vertigo and the interviewer actually asked him about the hip roll and the reaction he received from the audience. His answer was "I would rather it be unmentioned..."
  19. I remember this episode too. Though I don’t remember in which interview I heard/read this. CoC related news and interviews are nothing you want to go back to again and again.
  20. I don’t like the idea of replacing current SP and FS with two new programs to evaluate a skater’s technical skills and artistry separately. Firstly, as some people have already said in earlier posts, you need to have technical skills to express something artistically, especially when you express it with your body. If you are going to present something like Yoko Ono’s Grapefruit or John Cage’s 4’33’’, all you need is your ideas, but that is not what ISU is expecting, I suppose. Secondly, it’s not technique vs. artistry, it’s jumps vs. other technical skills. Why always mislead people into believing that technique and artistry are two different things, and jumps have nothing to do with artistry? A jump with difficult entry/exit that perfectly fits the music is not artistic? To land a jump very softly to let the audience appreciate the soft sound of a flute is just athletic? Thirdly, if figure skating has lost its audience in some countries, it is not because that figure skating has become too jump oriented, but because that figure skating has become less accessible in such countries for some reason. As a whole, the ISU official’s comments quoted in the article sound self-deceptive. I think stuff like JGP streaming with Ted would contribute more in increasing popularity and accessibility of the sport in the long run…
  21. I was thinking that Boyang’s FP was “The Planet,” but actually it was more like a “Star Wars” program, is that correct? I’m not a huge SW fan, so I don’t know much about the series especially after the fourth movie, but Boyang is probably portraying Luke Skywalker…? When I heard Darth Vader breathing I thought, “What!? Lori, what are you doing?” but as a Star Wars program, the way the music edited make sense, am I right? I’m full of question marks, but I love Boyang anyway. I love Han Yan’s FS too. It looks like an ideal vehicle to show off his skating skills. Zijun’s FP is very beautiful When she is on and has more speed it would look impressive. I’ll see other skaters' programs later…
  22. I agree with this. Actually, I found the idea of expressing the music as a dance of wandering soul interesting, but the program itself didn’t seem to convey the story very well and the ending looked unnatural. It might look different though, with appropriate costume and in high definition video. It might also look great as an exhibition program with some help of lighting and props. However, I think she can present a beautiful program with this kind of music without such background and mime. I hope her team gives it a try.
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