rockstaryuzu

I keep watching it over and over and I don't see the skip. But I do question Aliev's ability to do it. He's not the greatest jumper in the world When I play it on my phone there's a noticeable break between 4T and 3A, and someone's head momentarily blips into the shot right where Dima would be setting up the 3A, blocking the view of him, and then back out again. Edited to add: Okay, you're right. I clicked through to the Instagram and the video played properly for me... it does look real after all.

If he decides to turn Origin into an ice show piece I would not complain. But it would make me sad if we never saw it again ever. I really think that if he doesn't stick with this year's programs for another season, then he has to make a clean break with his past and go for something completely new, artistically. What that might be, though, who knows.

There needs to be photos of Yuzu and cats. Maybe one of his sponsors can use it as an ad idea. Just imagine him in piles of fluffy kittens.

Idk, the video has a skip right in the middle between the 4T and the 3A, and it is April Fool's. I call shenanigans.

Just did my rewatch and was struck once again by how much this skate doesn't look like an athlete competing for a medal, but instead looks totally natural and easy, like some kid who went out on a frozen lake to skate for fun and is in his own world. It's truly a once in a million skate.

Satton just cracking up!

Bingo! It's not an addiction if we're happy about it!

Well, I want Yuzu to let On Ice Perspectives ( https://www.oniceperspectives.com) film him. Would be great to get a closer-than-close view of that massive 3A..

Oh thank goodness, the Planet's back... I was starting to have the shakes from Yuzu withdrawal.... Much appreciation to the Planet staff for getting it back up.

Well yes. It only emphasizes even more how he's doing something different from all the other skaters. Meanwhile, Nathan has made a choice in a different direction. By having all those super-similar, kind of generic costumes, he can go from program to program and season to season without having to make a lot of artistic choices that way, and can free up his mind to just focus on the skating and competing. I'm not sure I agree with the approach but I can certainly admire the thinking behind it. It reminds me of Steve Jobs always wearing black turtlenecks so that he doesn't have to waste decision-making energy on something trivial. Two totally different approaches - the busy athlete (Nathan) and the artiste who is also an athlete (Yuzu).

And Javi almost but not quite has Brian's landing position. All the landing positions skaters have, Brian's has always been my favorite. But you know who else is starting to give me serious Brian-like vibes on the ice? Julian Yee. Since he started working with Brian's old coach Doug Leigh, Julian's picked up Brian's old jump prep pose... although I hope it's only a phase and he can move on to making his jumps integrate more seamlessly into his choreo.

Even in his street clothes though, Johnny likes exaggerated proportions. As you say, it's a choice. You know, I find it interesting how Shoma always has a multitude of costumes but Yuzu sticks to the same two for the full season. Shoma's definitely a fashion kid. His choices aren't necessarily bold, but they're varied and interesting.

The eighties were a terrible time for costumes, and fashion in general.

Oh I know the type! Have a few in my family too. Although I think @Flutterby hit the nail on the head when they said he seemed deeply insecure about certain things.

Heaven forfend!

He reminds me of an old ad for Cadbury Gold chocolate bars. The main character is millionaire who waltzes around his gold mansion saying "Gold! I love gold! I love the way gold looks! I love the way gold feels! And I especially love...the way Gold tastes!!!" I can't see Yuzu sniffing a medal without that ad in my head.

I dunno. Raf is gruff and gives a bad impression in interviews, but from what I've read that he's said, his coaching technique/ philosophy isn't all that bad. But he seems more like a swimming coach than a skating coach to me. I think you'd have to be a pretty mentally tough individual to thrive under a coach like Raf.

Dai is actually one of a very few skaters that can bring the drama to a program and make it work. And it's because he shares one important quality with Yuzu - he's a dancer and a performer, not just an athlete. It makes for some great skates.

Puts a whole new spin on the nobility, doesn't it?

I believe this is the reason why he can do all the things he does and none of it falls flat. Sakura fairy or primordial Origin, it's all authentic to him and that's the key.

Yes, but it doesn't read as 'feminine' to me, even so. At least on the ice. I agree that there are times off the ice when he affects a stereotypically effeminate demeanor, but to my eye it looks like a role he enjoys playing, as opposed to how he'd act when he's, say, relaxing at home. Maybe it's a matter of what a person sees first when looking at a skate. For me, the athleticism and artistry is what I see first, before I register who might be skating. I see the jump or the spin, the lines of the body, the quality and energy of the movement, and then I notice man or woman, style of skating, music etc. And that being said, my style prefs: Just take Yuzu as a given. Obviously I love his style or I wouldn't be here. After Yuzu, and in no particular order: 1. Aymoz for sure. 2. Keegan's snap and energy is like watching a ball of fire bounce around. 3. Roman Sadovsky really caught my eye at ACI. He's a graceful bird. 4. Scott Moir. Talk about someone who oozes masculinity in all the right ways. I know he's an ice dancer but I can't help but feel he'd have been great at singles too. Brezina has the same quality to me. 5. Jun. He's just fresh. I like so many more too. It's probably easier to talk about the ones I don't like. I'm not a big fan of Bychenko or Samohin, or any of the guys that really go for the heavy serious drama in their music and programs. Likewise I hate it when you can tell a skater is just doing a program their coach handed to them, that they don't feel attached to themselves. That's kind of my complaint about all the Eteri skaters actually. I guess you could say that I like skaters who can make their programs into personal expressions through their artistic and athletic capabilities.

I think it really depends on what your own movement vocabulary is. HYK might not seem 'masculine', but nothing about it reads as 'girly' to me. Innocence and joy are not limited to femininity. Anyone who's watched a two year old boy run around outdoors on a puddle-jumping day will know exactly what I mean. Yuzu retains that quality of accepting wonder in his performances.

Also, sanitation wasn't the same then as it is now. High heels were a practical way to keep your hems out of the questionable muck in the streets of those times.