[2024.09.15] Challenge- Charity Event to Support Noto Peninsula

[Wintek]

Compilation of written interviews published in the context of the "Charity Event to Support Noto Peninsula -Challenge". The event was held in Ishikawa Prefecture (Wajima & Kanazawa connected virtually) on September 15, 2024.

[yuzurujenn]

*Machine-translation. Inaccuracies exist*

 

 

2024.09.12

 

Source: https://www.tokyo-sports.co.jp/articles/-/316414?page=1

Archived: https://web.archive.org/web/20240911235143/https://www.tokyo-sports.co.jp/articles/-/316414?page=1

 

 

"Is there anything I can do for Noto?" Yuzuru Hanyu's thoughts on the disaster-stricken area; charity performance to be held on the 15th.

 

Spoiler

Bringing smiles and energy through his performance. Yuzuru Hanyu (29), a professional skater who won two consecutive Olympic gold medals in men's figure skating, and others will appear in the "Noto Peninsula Reconstruction Support Charity Performance" on the 15th in Ishikawa Prefecture, which was severely damaged by the Noto Peninsula earthquake in January. Due to venue restrictions, the event will be streamed online. Proceeds from the live and on-demand streams will be donated to Ishikawa Prefecture. A representative from Kanazawa TV, the local station that organised the performance, spoke to us in an interview and revealed Hanyu's wishes for reconstruction.

 

"Is there anything I can do for Noto?". Hanyu, who was affected by the 2011 Great East Japan Earthquake, had mixed feelings about the current situation in Noto.

 

The Noto Peninsula has poor transportation access, and even eight months after the earthquake, recovery has not progressed sufficiently. Hearing Hanyu's strong desire to help, Kanazawa TV's representative explained, “We hope for a swift recovery and wish for the people to regain their vitality quickly. Despite the many difficulties, we wanted to overcome them together and move toward a brighter future. We thought about what we could do and decided to collaborate with Hanyu.”

Meetings began in earnest in late April. The project was titled "Challenge." The person in charge recalled, "Hanyu told us, 'If there's anything I can do, I want to do it.' We empathized with that sentiment and the project moved forward. The title was chosen to convey the message, 'There will be difficulties, but let's all work together to overcome them and aim for a brighter future.' When we explained the idea to Hanyu, he agreed, saying, 'I think that's a good idea.'"

 

Hanyu shared ideas through emails and remote meetings in between his busy schedules. The person in charge said, "We asked Hanyu and his team to think about what kind of songs would be appropriate, taking into consideration his thoughts, and we also discussed whether it would be possible for people from Noto to participate." The performance will feature not only Hanyu and Akiko Suzuki, a bronze medalist at the 2012 World Championships, but also Noto High School’s calligraphy club and the Wajima Taiko group, “Wajima Taiko Toranosuke.” In addition, there are plans to connect video with the Noto area and interact with the disaster victims.

 

Recovery is still only halfway through. That is why Hanyu himself is particularly determined to hold the event in Ishikawa Prefecture. The representative spoke sincerely, “Hanyu has visited Noto and walked around various places. He said, ‘I want to skate in a way that will help cheer up the local people, even if only a little. I feel that it is meaningful to perform in Ishikawa.’ We hope to create an event that can support and encourage people to move forward with energy and positivity.”

 

Public viewing venues will be set up in four locations in the Noto area to distribute the video of the performance to those affected by the disaster. Hanyu expressed his determination through Kanazawa TV, "There are people who are suffering right now, so I hope I can somehow give them some strength. I really want to skate with all my heart." As a skater who knows the feelings of the disaster victims, he brings hope to Ishikawa Prefecture.

[Wintek]

*Machine Translation. Inaccuracies Exist*

2024.09.15
Spoken parts of: “Charity Performance to Support The Reconstruction of the Noto Peninsula - CHALLENGE”
Machine translation based on Japanese transcript done with MS Word Dictation Tool. Transcript was kindly reviewed by a bilingual fan.

The archive of the performance can be watched on Lemino until September 30th, 2024:
https://lemino.docomo.ne.jp/welcome/login Contact @Wintek direct message if you need instructions to buy the ticket and stream the archive from Lemino.
 

[INTRODUCTION] 

 

00:00:00-00:00:22 Skaters intentions (written on the screen)

 

“I will skate with all my heart, hoping that it will be a source of healing and energy for you all” Takahito Mura

 

“I hope to bring lots of rays of hope to everyone, and I will skate with all my heart”

Akiko Suzuki

 

“I’ll skate with all my heart so that you can feel at least a little peace of mind through my performance”

Satoko Miyahara

 

00:00:22-00:00:43 -Yuzuru Hanyu recorded video message

“There are people out there who are going through a really hard time right now, so I hope I can give them some encouragement and strength.

I personally feel that there is a lot of meaning in skating there. I really want to put a lot of different feelings into my skating.”

 

00:00:44-00:0049 -Wajima Wadaiko Toranosuke (Japanese percussion group)

 

00:00:50-00:00:56 -Noto High School Calligraphy Club

 

~CHARITY PERFORMANCE TO SUPPORT THE RECONSTRUCTION OF THE NOTO PENINSULA - CHALLENGE~

 

---

 

 

 

Spoiler

[Opening]

 

00:03:09-00:03:42 -Opening: skaters and Wajima Wadaiko Toranosuke

 

00:03:54-00:03:42 -Presenter

 

“The performance was powerful and beautiful, overflowing with the desire for the recovery of Noto. Next, the young power that bears the future of Noto.”

 

 

---

 

[Wajima Wadaiko Toranosuke]

 

00:03:55- 00:04:48 - Shuzo Hashizum, Wajima Wadaiko Toranosuke Representative

"We are Wajima Wadaiko Toranosuke, a group performing traditional Japanese drum music in Wajima City, Ishikawa Prefecture. We are deeply grateful for the opportunity to perform at such a precious event today. This year, on January 1st of Reiwa 6 (2024), the Noto Peninsula Earthquake caused tremendous damage throughout the entire Noto region, including Wajima City, where we live.

Amidst this disaster, we received an overwhelming amount of support and assistance from people all over Japan and around the world, which has allowed us to continue our daily lives and activities. Today, we perform with heartfelt gratitude to those who supported us, and with the spirit that 'Noto will not give up,' 'Noto will recover,' and 'Noto is strong!' Together with the children, we will perform energetically and with all our hearts. Please enjoy our performance. Thank you very much."

00:04:50-00:11:22 -Wajima Wadaiko Toranosuke Performance

 

00:11:22-00:11:24 -Wajima Wadaiko Toranosuke finish and bow

 

“Thank you very much!”

00:11:24 -  00:12:04 Nozomi Sato (MC) thanks the Taiko group 

"Thank you very much. That was Wajima Wadaiko Toranosuke. The group went through many days where they couldn’t practice as they would have liked. Despite that, they came today with the strong desire to keep the traditional wadaiko of Wajima alive. They told us, 'We just want to have fun and play the drums today.' The heartfelt drum performance, filled with love for their hometown, resounded here in the gymnasium of Noto High School. That was Wajima Wadaiko Toranosuke. Thank you very much.”

 

---

 

[Noto High School Calligraphy Club]

00:12:05- 00:12:27 - Nozomi Sato (MC) introduces the Noto High School Calligraphy Club

“Now, next up is a performance by the Noto High School Calligraphy Club. After the earthquake, they faced many days without running water, making it impossible to use the water essential for calligraphy. They washed their brushes using snow and well water. These high school students will lead Noto into the future. They will pour their thoughts of recovery onto a 4-meter-tall, 7-meter-wide sheet of paper."
 

[WORDS WRITTEN ON THE CANVAS]

From right to left, top to bottom:

 自分と大切な人へ 

To ourselves and those whom we deeply care for

ありがとうと共に 

With thanks  

打ち破れ自分の限界

Go beyond own limits 

(more literally: smash/ break through our limits) 

愛燦燦

Filled with brilliant love 

vどんな時でもあなたがいる 

You are always here (with us)

愛  縁

Love Relationship set by destiny

最愛

Most beloved

私は負けない

I will not lose

温かいたくさんの贈りもの

Lots of heart-warming gifts

信愛

Belief love

溢れる愛は私を強くする

Outpouring affection makes me strong

能登高書道部

Signed: Noto High School Calligraphy Club

—--------

00:19:22- 00:20:02 -Calligraphy Club Student's Words

"We received support from many people and felt a lot of love. That love is a sign of our gratitude to those who are dear to us. It is also a message of encouragement for ourselves to keep taking on challenges and pushing past our limits. The overflowing love makes me stronger."

00:20:06– 00:20:08 -Calligraphy Club Students

"Thank you very much! Thank you!"

00:20:10 -Nozomi Sato (MC)'s Reflection

"The words 'Ai Sansan' (Love Shines Brightly) must have reached many people. That was the Noto High School Calligraphy Club. Thank you very much."

00:20:13- 00:20:22 -Nozomi Sato (MC)'s Closing Remarks

"To the members of Wajima Wadaiko Toranosuke and the Noto High School Calligraphy Club, thank you so much for your wonderful performances. And to everyone watching this stream, thank you so much for supporting this charity performance. With all our hearts, we will continue skating with prayers for all of you. Please enjoy the event until the very end. Thank you for your continued support."

 

---

 

[Skating Performance]

00:20:25- 00:20:57 -Yuzuru Hanyu 

"To everyone from the [Japanese drum group], and the members of the high school calligraphy club, thank you so much for your wonderful performance. And to everyone watching this stream, thank you sincerely for your support of this charity performance. All of us will skate wholeheartedly, with our prayers for all of you in mind. Please stay with us until the very end. Thank you so much."

 

00:21:22-00:22:04 - Presenter introduces the skaters, starting with Takahito Mura

"This is the Charity Performance Challenge in support of Noto Peninsula's recovery. The first skater is Takahito Mura. He won the Four Continents Championship during his competitive career and is now expanding his activities as a professional skater. Just like the lyrics of the song say, 'It's okay, I'm by your side,' even if you are going through tough times, 'You are not alone. We are all thinking of you.' He skates with this sentiment in mind.

 

[Takahito Mura - 'Sansan']

00:25:32- 00:26:04 Presenter introduces Susuki Akiko

“Next is Akiko Suzuki, the All-Japan Champion. She is currently active as a choreographer and was responsible for the choreography of the opening performance at this event. Throughout her skating life, she has experienced many setbacks and hardships, but she skates today with the joy of being able to continue skating.”

[Akiko Suzuki - 'Hymne à l'amour']

00:29:38- 00:30:04 Presenter introduces Miyahara Satoko

“Next is Satoko Miyahara, a World Championship medalist. She is currently performing as a professional skater in ice shows in Japan and abroad. Reflecting on her life so far, she values her past and is connecting it to the future. She skates today with prayers for peace.”

[Satoko Miyahara - 'Stabat Mater Dolorosa']

00:34:38-00:35:05 Presenter introduces Hanyu Yuzuru

“Next is Yuzuru Hanyu, a two-time Olympic champion and a legend in the skating world. He skates today with the hope that, even if just a little, his performance can bring moments of smiles and healing. He will give his all.”

[Yuzuru Hanyu - 'Haru yo, Koi']

00:39:10-00:39:24 -Presenter thanks the skaters

“Such amazing performances. I am lost for words. My heart and soul have been deeply moved.”

[Finale]

00:39:50-00:40:00 -Presenter 

“The final program is a song about moving forward.”

[Mrs. Green Apple - 'Que Sera Sera' performance]

00:44:41-00:45:07 -Presenter 

“Thank you very much! It made us smile and brought tears to our eyes. Their united feelings delivered a huge emotional impact. Now, here at Noto High School in Ishikawa Prefecture, we have Wajima Wadaiko Toranosuke and the Noto High School Calligraphy Club."

 

---

 

00:45:13-00:45:26 - Nozomi Sato (MC) and Wajima Wadaiko Toranosuke group interview

"Now, let's hear from Wajima Wadaiko Toranosuke, who have been practicing for this day. First, what kind of feelings did you put into today's performance?"

00:45:28-00:45:34 - Hiro Sakata

"We were able to play joyfully, joyfully, for everyone watching the livestream."

00:45:35-00:45:36 -Nozomi Sato (MC)

"Did you manage to express those feelings?"

00:45:36 - Hiro Sakata

"Yes, we did."

00:45:37-00:45:45 -Nozomi Sato (MC)

"I imagine you had many days where you couldn’t practice as much as you wanted. Looking back on that, how do you feel?"

00:45:45-00:45:54 -Soma Kagawa 

"Yes, there was a long period when we couldn’t practice, so we’re really grateful to be able to play now."

00:45:55-00:46:00 -Nozomi Sato (MC)

"Do you have a message for the people watching this livestream?"

00:46:01-00:46:08 -Soma Kagawa 

"If our performance made you smile and enjoy yourselves, we’d be really happy."

00:46:09--00:46:31 -Nozomi Sato (MC)

"We’ve just heard from Soma Kagawa and Sakata-san. Thank you very much. It was a powerful performance. And now, next up, let's talk to the Noto High School Calligraphy Club, who created a magnificent work. First, regarding the phrase 'Ai Sansan' (Love Shines Brightly), what feelings did you put into this calligraphy?"

00:46:33-00:47:02 - Asumi Fuchu, Calligraphy club student 

"This year, we’ve participated in the Shodo (Calligraphy) Performance Koshien and were invited to the Red Cross event in Tokyo. Just like the theme of this event, it’s been a series of challenges. But I believe that the reason we could take on these opportunities, as written here, is because of the love we received from so many people, not just our own strength. I wrote these feelings into my work."

00:47:02-00:47:13 -Nozomi Sato (MC)

"We’ve just heard from Asumi Fuchu. Next, we’ll hear from An'yu Yamashiro. I imagine there were many challenges during the performance. What was the most difficult challenge this time?"

00:47:14-00:47:21 -An’yu Yamashiro, Calligraphy club student 

"The most difficult part was writing while performing body movements to match the taiko drumming."

00:47:24-00:47:26 -Nozomi Sato (MC)

 

"Do you feel like you overcame that challenge?"

 

00:47:28-00:48:08 - An’yu Yamashiro

"Yes. Usually, we perform calligraphy to music while adding movements to our performance, but this time, we collaborated again with Akira Imai, with whom we performed last year. We created a performance that involved moving outside the paper while expressing ourselves with body movements to match the taiko drumming, which was something we hadn’t done much before, so we worked hard on that."

 

00:48:09-00:48:21 -Nozomi Sato (MC)

"Thank you. Now, let’s hear from taiko performer Subaru Imai. Imai-san, your performance was filled with thoughts for Noto. How do you feel right now?"

 

00:48:21-00:48:58 - Subaru Imai, Calligraphy Club drums player
 

"Well, first of all, I want to say thank you very much to all the skaters. We also poured our hearts into completing this performance, but after watching the skaters' powerful and beautiful performances, I feel like, although we were hit by the disaster in Noto, seeing this will definitely encourage everyone who was affected. I’m sure the people of Noto will feel, ‘Alright! Let’s keep going from here.’ I really feel that I’ve been empowered as well. Thank you so much."

 

00:49:00-00:49:13 -Nozomi Sato (MC)
 

"Thank you. Next, we’ll hear from (Michiko) Fuha-sensei, the advisor of the Noto High School Calligraphy Club. I’m sure there have been many difficulties up until now. What would you like to say to the students who created this magnificent calligraphy?"

 

00:49:15-00:50:48 -Fuha-sensei

"They did a great job. Truly, there have been many challenges. Some of the students’ lives have changed drastically, but when we thought about the word 'challenge,' we wondered, what does it really mean? Maybe it means believing in yourself. And what does it mean to believe in yourself? It could mean loving yourself. If you love yourself, you can challenge anything. If you believe in yourself, you can challenge your limits and break through them, just like what’s written here. I think they expressed that feeling energetically and powerfully in their performance, along with Imai-san’s taiko drumming. This morning, we even made some changes just after arriving, but they accepted those changes with a 'Yes!' and delivered a wonderful piece. It’s thanks to everyone’s support that we’ve had the chance to perform here and collaborate with world-class skaters and with Imai-san. I feel incredibly fortunate. I think this too was a kind of challenge. Thank you so much for today."

 

---

 

[Students ask questions to skaters]

00:50:50-00:51:21 -Nozomi Sato (MC)

"It was a very uplifting performance of 'Ai Sansan,' filled with love. The determination and earnestness of the high school students was truly moving. Now, these students have some questions for the skaters. Does anyone have a question? Oh, lots of hands! Alright, let’s go one by one. First, Kagawa-san has a question for Mura-san. Please go ahead."

00:51:25-00:51:32 - Sakurama Kagawa

"How do you overcome the difficult and painful parts of skating practice?"

 

00:51:35-00:52:18 -Mura

"Well, of course, in daily practice, just like in club activities, there are days when it gets tough, and you might feel like you just don’t want to do it that day. But I think it’s important to try to overcome even just a little more than you did the day before. It’s the accumulation of those small efforts that really matters. It’s hard to improve by 50% or 100% all at once in a single day. So, I want you to value the little steps you take each day."

 

00:52:21-00:52:37 -Nozomi Sato (MC)

"Do you think that advice can be applied to taiko practice too, Kagawa-san?"
"Yes, I think it can. Though, I was told earlier that he was a bit nervous today."
"Next, we have a question for Suzuki-san. (Minami) Oogata-san, please ask your question."

 

00:52:38-00:52:50 -Minami Oogata

"You’ve been active not just in Japan but all over the world. How do you relax when you get nervous?"

 

00:52:52-00:53:37 -Suzuki

"Even before today’s performance, I was really nervous. There’s never a time when you don’t feel nervous before a big event. But I think the reason we feel nervous is because we’ve worked so hard up until now and want to do our best. So first, I accept that I’m nervous, and then I remind myself that it can be a source of strength. It’s not about trying to get rid of the nerves or trying not to be nervous, but about accepting the nerves and turning them into something positive. I hope that helps."

 

00:53:37-00:53:38 -Minami Oogata

 

“Thank you very much”

 

00:53:39-00:53:44 -Nozomi Sato (MC)

"That’s advice that could be useful for a taiko performance as well. 

 

00:53:38 -Minami Oogata

 

Yes

 

00:53:38-00:53:55 -Nozomi Sato (MC)
 

Now, next is a question from the calligraphy club for Miyahara-san. Ota-san, please go ahead."

 

00:53:58-00:54:02 -Yuha Ota, calligraphy club student

 

"Who usually designs your gorgeous costumes?"

 

00:54:07-00:54:46 -Miyahara

 

"It depends on the performance, but since I like to draw, I often design them myself. I also talk to the costume designer and explain what kind of song I’ll be skating to, what colors I’d like to use, and the mood I want to create. I like things that sparkle, so I often ask for lots of stones to be added. The costume I’m wearing today is one I designed myself."

 

00:54:50-00:54:54 -Nozomi Sato (MC)

 

???

00:54:54 - Yuha Ota, calligraphy club student

 

Yes

 

00:54:54-00:55:05 -Nozomi Sato (MC)

 

"That might inspire a lot of change! Thank you. Now, next is a question for Hanyu-san. Mion-san, please ask your question."

[Question to Yuzuru]

 

00:55:07-00:55:20  -Mion Fuchu, Calligraphy Club Student

When we come up with the layout and movement for our works, we sometimes struggle with ideas. What do you do when you can't think of any ideas, Yuzuru-san?

 

00:55:21-00:56:06 -Yuzuru Hanyu

Yes, there are days when I just think, "Well, there's nothing I can do if no ideas come." And then there are times when the deadline is near, and I have no choice but to come up with something. But either way, I'm confident that something good will come out of it. Whether it's the design, the colors, the strokes, or whatever form it takes, something unique to that moment will emerge. I think it's important to cherish the ideas and designs that come to you at that time, and then, every day, think about how to make them even better. That's what I try to do. Thank you. Keep up the good work.

 

---

 

[Introduction to the Calligraphy Club Representative's Message]

 

00:56:08-00:56:23 -Nozomi Sato (MC)

Thank you very much. That was a response that will surely boost your confidence. Now, we have a final message from the calligraphy club president, Hashimoto-san, who has something she really wants to share with everyone.

00:56:27-00:56:52 -Sana Hashimoto-san, Calligraphy Club President

Today, being able to perform alongside skaters who are active on the global stage feels like a dream. We are deeply grateful to all of you for bringing us strength and courage after being affected by the Noto Peninsula earthquake. Thank you so much from the bottom of our hearts.

 

00:56:54-00:57:09 -Nozomi Sato (MC)

 

“Thank you so much! 

I believe your feelings have surely reached many people. This was the Noto High School Calligraphy Club and the Wajima Taiko Toranosuke group. Thank you very much!”
 

 

---

 

[Skaters' Messages and Closing Remarks]

 

00:57:18-00:57:36 -Presenter

 

“Now, we will return to the ice rink for greetings from the four skaters who conveyed their thoughts about Noto through their beautiful performances. Let’s begin with Takahito Mura-san.”

 

00:57:37-00:58:28 -Takahito Mura

“Yes. Truly, I skated today with a song based on the theme "Sanson" (Radiant Love), which was also written by the calligraphy club. The lyrics of the song have phrases like "I’m here for you" and "It’s going to be okay," and I skated while trying to convey those messages. Some days may feel long, and other days may seem to fly by, but little by little, even if just a bit each day, I hope everyone treasures the people around them and moves forward. I will continue to support you, so please keep moving ahead. Thank you very much.”

 

00:58:29-00:58:30 -Presenter

 

“Akiko Suzuki”

 

00:58:33-00:59:27 -Akiko Suzuki

 

“Yes. I’m truly honored to have had such a wonderful opportunity to perform today. During my competitive career, I went through many difficult times, but there were always people who reached out and supported me. That support enabled me to keep going as a skater, and that hasn't changed even now. Today, I came with the hope of passing on the help I received to someone else. I hope the strength I’ve gained can serve as a light of hope for all of you. Please keep moving forward with that light of hope in your hearts. Thank you so much for today.”

 

00:59:32-00:59:33 -Presenter

 

“Satoko Miyahara”

 

00:59:34-01:00:54 -Satoko Miyahara

“Yes, I am truly honored to have participated in this wonderful event today. I’m grateful to be able to contribute, even in a small way, through my skating. I hope that my own determination to keep moving forward has resonated with all of you. Today’s program was based on the theme of reflecting on the path I’m on and looking toward the future with hope. If those warm and positive feelings have reached you, I’m really happy. There are so many challenges in the world, but I believe that together we can all keep moving forward. Let’s do our best.”

 

01:01:01-01:01:03 -Presenter

 

“Yuzuru Hanyu”

 

01:01:03-01:01:47 -Yuzuru Hanyu

 

“Yes. Thank you so much for watching until the very end. More than anything, I am grateful to everyone for participating in this charity event, as it gives me the chance to give something back to all of you. I know that many people are going through tough times right now. Even those who say they’re okay might be dealing with some kind of inconvenience or emotional difficulty. I sincerely hope that all of you can feel just a little bit of warmth in your hearts. I will keep you in my thoughts as I move forward. Thank you very much for today”.

 

01:01:53-00:02:19 -Presenter

 

“That was Takahito Mura-san, Akiko Suzuki-san, Satoko Miyahara-san, and Yuzuru Hanyu-san. With the support of so many people, the Noto Peninsula Reconstruction Support Charity Performance Challenge has now come to an end. Thank you very much, everyone!”

 

 

---

 

[“Que Sera Sera” plays]

END

 

[yuzurujenn]

*Machine-translation. Inaccuracies exist*

 

 

2024.09.15

 

Source: https://www.nikkansports.com/sports/news/202409150001171.html

Archived: https://web.archive.org/web/20240915122102/https://www.nikkansports.com/sports/news/202409150001171.html
https://web.archive.org/web/20240915135516/https://www.nikkansports.com/sports/news/202409150001171.html?Page=2

https://web.archive.org/web/20240915141509/https://www.nikkansports.com/sports/news/202409150001171.html?Page=3

https://web.archive.org/web/20240915142225/https://www.nikkansports.com/sports/news/202409150001171.html?Page=4

Info: https://www.tvkanazawa.co.jp/event/notocharity

 

 

[Figure Skating] Yuzuru Hanyu’s Thoughts on the Noto Reconstruction Support Show: “Delivering a wave of energy from this place” – Full Comments

 

On the 15th, a charity performance titled "Challenge" to support the reconstruction of the Noto Peninsula was held in Kanazawa City, Ishikawa Prefecture. The event featured Yuzuru Hanyu (29), two-time Olympic gold medalist in men's figure skating, along with other skaters such as Takahito Mura, Akiko Suzuki, and Satoko Miyahara. They collaborated with the traditional Japanese drum group Taiko Toranosuke and the calligraphy club of Noto High School to create a performance aimed at supporting those affected by the severe damage from the January Noto Peninsula earthquake. Due to venue constraints, the show was livestreamed, and the proceeds from both the live and on-demand streams will be donated to Ishikawa Prefecture.

After the performance, the four skaters spoke with the media. Here are their comments:

 

Spoiler

- Can each of you share your thoughts on what you wanted to convey through your performance?

Mura: It is not easy to hold a charity event, even if it is just once, but we were able to hold the event with the help of Yuzu-kun. I feel that it was very meaningful for me to skate here, and I hope that I could convey the message of “It's going to be OK,” which is in the lyrics of the song “San San” that I skated, to the audience and many others who watched the stream this time. I participated in this event with the hope that the audience would find the energy to face tomorrow and move on to the next step.

Hanyu: I know there are people from all walks of life who are watching the event, some who are suffering and others who are doing okay. I skated with the hope that, even just a little, it could spread smiles among those watching.

Miyahara: I am happy that I was able to participate in this charity show, an opportunity that does not come along very often. I performed with the hope that my skating could be of some help to people.

Suzuki: Every time an earthquake like this happens, I feel so powerless. However, I hoped that we could convey something meaningful through this opportunity. With that feeling in my heart, I skated with all my might today. Thank you for this opportunity.

 

- I’d like to ask Hanyu-san. Since becoming a professional, have there been any changes in how you approach disaster-stricken areas or what you feel you can do?

Hanyu: For me, one of the major goals I had, alongside winning two Olympic gold medals, was to start supporting and caring for disaster-stricken areas from here on out, so I've always worked hard at my sport. Now that I’ve finally turned professional, I’m gradually beginning to focus my heart on disaster areas and various calamities. I am a skater first and foremost, so I thought I would like to support people, to help them emotionally, through my performance. For example, "Notte Stellata" is about various disasters that occur from time to time, including the 3.11 earthquake. This time, we specifically did it as a charity for the earthquake in the Noto region.

 

- I don't think Hanyu has had many opportunities to perform "Haru yo, Koi" with such bright lighting.

Hanyu: First of all, the reason why we considered to perform without lighting (spotlight) was to minimise the budget and donate as much money as possible to the charity. The primary goal was to keep the scale as small as possible. Ultimately, we decided to go without show lighting to reduce production costs, which gave the performance a different look. I’m happy that regular viewers could experience a different perspective, and for us, performing for charity also brought a completely different emotional experience, and we performed with a clear intention directed specifically towards the people of the Noto region.

Suzuki: It’s been a while since we performed without show lighting. I felt like I was being watched as I made my entrance, but it was also very refreshing to skate today.

 

- Please tell us about the finale, "Que Sera Sera".

Hanyu: Personally, I really like Mrs. GREEN APPLE. The song itself has a kind of Okinawan "nankurunaisa" spirit (T/N: “everything will be alright in the end”). Akiko Suzuki-san choreographed it with the feeling of telling yourself to move forward no matter what happens. I feel that we all really cherished the vocals and each note of the song, and skated with hope in our hearts.

 

- When you skated to "Haru yo, Koi," it seemed like you lowered your upper body into the ice more than usual.

It's a technique called hydroblading, and it is originally intended at that level in the program, so there's nothing particularly profound about it, but even though this site, and the surrounding area itself, wasn't an area that suffered major damage, the region as a whole suffered particularly severe damage; or to put it more broadly, the ground around here shook violently, so I felt like I wanted things to calm down.

 

- The memory of the Noto earthquake is fading. I think it was meaningful for Hanyu to skate. Please tell us your thoughts on this again.

Hanyu: Just like with the 3.11 disaster, the farther we are from the capital, the less coverage it receives, and progress tends to make the news only occasionally. It's an area where reconstruction is slow and the road restrictions are much greater than in normal places, so I think it must be really tough, both when I saw the news and when I went there in person. It's difficult for us to do much about the fading memory of the disaster, but as I said earlier, I wanted to support disaster relief and achieve back-to-back Olympic titles, to use this achievement in a positive way, to use this fame to contribute, and the same goes for those who bought tickets to the stream this time, I hope to be of some help, even if just a little, whether through money or attention.

 

- I heard that you actually visited the disaster area and interacted with the junior high school students. What did you say to them during that time?

Hanyu: I've had many opportunities to see the current situation on the news and in the newspapers, but when I actually saw it in person, I was very shocked to see how much of it was left as it was. I can’t make any deep comments on whether it’s making progress or not, but I felt that the scars were still very raw. The local people also said that time had stopped, and that they still remember "this happened here" every time they go there, or that "this place was destroyed." I also heard them say "I don't want to go back there." That really struck me deeply, and it was painful.

When I met the children, I told them that no matter how difficult things may be, eventually, you have to do something when the time comes. No matter how much they don't want to do it, no matter how much they fail to make progress, when the deadline comes, they still have to move forward. I said this to them. It’s been more than six months since the disaster, and I think people are thinking about what they can do and what progress is being made. Sometimes things will come in their own time, and if they don’t, there’s nothing you can do but accept it. However, I hope that within that acceptance, there are still plenty of smiles and hard work put into it at that time.

 

- Please tell us why it was important to you to skate in Ishikawa even in the form of a live stream.

Hanyu: When we first decided to do this broadcast format, we could have skated in other regions, and I think we could have done a lot of different things if we had wanted to. However, I wanted to skate as close as possible to those who have suffered, those who are currently struggling, and those who are facing various difficulties. We really feel the power of the region and the atmosphere on site while we skate, so I wanted to honour the importance of that atmosphere and hoped that, even a little, the energy from this place would resonate and reach everyone through the broadcast.

 

[Wintek]

*Machine translation, inaccuracies exist*

2024.09.18

Source: https://jbpress.ismedia.jp/articles/-/83203

Archive:

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"I Want to Skate Close to the Victims": Yuzuru Hanyu Participates in a Charity Skating Event in Noto, His Reason for Sticking to Streaming from Ishikawa Prefecture
Yuzuru Hanyu's Thoughts Behind the 'Noto Charity Skating Event' (Part 1)

By Mitsuru Tanaka
(Associate Professor, Department of Sports Management, Shobi University)
September 18, 2024

On September 15, professional skater Yuzuru Hanyu, who won two consecutive Olympic gold medals in men's figure skating, performed at the "Noto Peninsula Earthquake Reconstruction Support Charity Skating Event," held in Kanazawa, Ishikawa Prefecture, in honor of the earthquake-stricken area and with a prayer for its recovery. This event was exclusively streamed nationwide by Docomo’s video service "Lemino."

The response was overwhelming, with over 10,000 tickets (priced at ¥4,500 including tax) sold as of September 13 (according to the event organizers), and all 4,000 initially prepared charity T-shirts sold out, leading to an additional 1,000 being put up for sale.

 

Spoiler

Despite the option to hold the event at a more familiar venue for a streaming event, Hanyu chose Ishikawa, the area affected by the earthquake. This choice reflected his deep desire to be close to the disaster victims and his sincere wish that public interest in the disaster-stricken area not fade away, especially as the area continues its path to recovery. He hoped that his high profile from winning two Olympic gold medals would help bring more attention to the affected region.

Using His Fame from Two Olympic Wins to “Help, Even Just a Little”

Together with professional skaters Takahito Mura, Akiko Suzuki, and Satoko Miyahara, Hanyu expressed his support for the disaster-stricken area in the hour-long event. In his final performance, he skated to "Haru yo, Koi" with deep emotion.

For the finale, the four skaters performed with smiles and full energy to Mrs. GREEN APPLE’s "Que Sera Sera," expressing their desire to encourage the disaster survivors to move forward with hope.

After the performance, although undoubtedly exhausted, Hanyu and the other skaters participated in a press conference. In addition to figure skating reporters from Tokyo, there were also local journalists covering the earthquake recovery efforts.

One male journalist, who had been reporting in the area since the earthquake, posed a question to Hanyu, noting that more than six months had passed since the earthquake and that public interest outside the affected area had diminished. Despite this, Hanyu’s charity performance became the top trending topic on X (formerly Twitter), drawing renewed attention to the disaster area.

The journalist asked Hanyu, "I believe your skating carried significant meaning. Could you share your thoughts again?"

The concerns and struggles of local reporters who had been covering the slow fading of public interest must have been deeply felt, especially in contrast to how Hanyu’s participation reignited awareness. Hanyu, reflecting on his visit to the affected city of Wajima in June before the event, responded to the journalist, choosing his words carefully.

"For us, it’s like the 3/11 disaster. Being away from the capital, it’s not often reported on, and places like this, where recovery is hard to come by—due to things like road restrictions—are probably going through more hardships than in more accessible areas. I could feel that when I visited in person."

"It may be difficult for us to do much about the fading interest. But still, I want to support the disaster recovery efforts. That’s why I’m trying to use the recognition from my two Olympic victories in a good way, and I hope that the people who bought tickets for the live stream, the money (donations, etc.) and attention (from the public) can be of some help, even just a little.''

Breathtaking Hydroblading with His Body Close to Horizontal

Hanyu’s signature hydroblading move, where his body leans almost completely horizontal, left a strong impression on local reporters during his "Haru yo, Koi" performance.

He explained kindly to reporters unfamiliar with skating, "That move is called hydroblading, and in this program, it involves going as low as I can (almost touching the ice with my face). It doesn’t carry any deep meaning, though."

Hanyu also shared his thoughts about the earthquake, saying, "This area wasn’t the hardest hit during the earthquake, but the ground here also shook heavily. The region suffered greatly. I had the feeling of wanting something to calm down."

Even though the event was a streaming one, Hanyu was determined to perform in the disaster area.

"When I decided on streaming, I could have chosen to skate in another region. But I really wanted to skate as close as possible to those who have suffered, those who are still suffering, and those who are struggling with various things right now."

"There’s a special energy in the area, and the atmosphere there is something we really feel as we skate. I think that air is important, and I hope that even just a little bit, the energy and atmosphere from this place can ripple out to reach people through the stream."

Connecting with the Local Community

The event opened with a performance by the "Wajima Taiko Tora no Suke" from Wajima City, followed by a spectacular calligraphy performance from the Noto High School Calligraphy Club, broadcasted live.

A male taiko drummer expressed his gratitude, saying, "We poured our hearts into completing this stage performance here in Noto after the earthquake, and seeing the powerful and beautiful performances of the skaters has undoubtedly given a huge boost to those affected by the disaster."

Hanyu and the other skaters listened attentively to the voices of the high school calligraphy students, nodding repeatedly in understanding, which left a strong impression.

Local Newspaper’s Limited Coverage

However, one unfortunate thing happened. The treatment of the event in the local newspapers the next morning on September 16 was disappointing.

Curious and excited, I went to buy a newspaper at a convenience store near Kanazawa Station the following morning, but the coverage was surprisingly small.

It was disappointing, especially considering how older readers still tend to rely heavily on print newspapers. I wonder how much effort was made to convey Hanyu’s feelings, the thoughts of the skaters who visited the disaster area, and the emotions of the locals impacted by the performance. The passionate questions from the local reporters seemed to have been reduced to almost nothing in the printed coverage.

Though I didn’t go through every newspaper, the difference in how the event was treated compared to sports and general newspapers from Tokyo was striking. I can only hope that, at the very least, a local journalist will follow up with a more in-depth column later, further conveying the feelings of the disaster victims.

 

[Wintek]

*Machine translation, inaccuracies exist*

2024.09.18

Source: https://jbpress.ismedia.jp/articles/-/83204 

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Yuzuru Hanyu Dances a Stunning "Haru yo, Koi" with Only Venue Lighting... His Unwavering Dedication to Charity Since 3.11
Yuzuru Hanyu’s Thoughts Behind the Noto Charity Performance (Part 2)
September 18, 2024 (Wednesday)
Written by Mitsuru Tanaka
(Mitsuru Tanaka: Associate Professor, Department of Sports Management, Shobi University)

On September 15, Yuzuru Hanyu, a professional skater and two-time Olympic gold medalist in men’s figure skating, performed at the "Noto Peninsula Earthquake Reconstruction Support Charity Performance" held in Kanazawa, Ishikawa Prefecture, expressing his deep feelings and prayers for the affected areas.

In this performance, no special lighting was set up within the rink. The focus was not on enhancing the spectacle of the performance but on minimizing production costs to maximize profits. This was in line with Hanyu’s wish to stay true to the purpose of charity.

Even without dazzling spotlights, it didn’t matter. This is because Hanyu and his fellow skaters possessed finely honed skills and expressive abilities that required no external embellishments.

Prioritizing the Affected Areas

 

Spoiler

“Is there anything I can do for Noto?”

In March of this year, marking 13 years since the Great East Japan Earthquake, Hanyu completed his ice show "Yuzuru Hanyu notte stellata 2024" as the lead performer in his hometown of Miyagi Prefecture. Almost immediately afterward, he began working on a charity performance for the Noto Peninsula earthquake. His intent reached TV Kanazawa, and the company decided to host the event.

For this performance, Hanyu was especially committed to ensuring it prioritized the needs of the disaster area above all else.

 

To achieve this, he focused on the core purpose of the charity. He worked to minimize unnecessary "expenses" and maximize the profits from streaming tickets and charity T-shirts.

One idea was to perform without special lighting, like the spotlights used in ice shows, using only the lighting permanently installed at the rink.

“First of all, I thought about not using spotlights as a way to minimize the performance’s budget and maximize the amount of money that could be donated to charity. To do that, it was necessary to reduce the scale of the event as much as possible, and in the end, the decision was made to go without special lighting as a way to cut production costs.”

When asked about his impressions of performing "Haru yo, Koi" under these conditions, he said:
 

“Not having the spotlights made for a different experience, and I think the people who always watch my performances were able to see something different this time, which makes me happy.”

The day after the performance, I had a chance to talk with one of the people who attended.
 

“Yesterday’s ‘Haru yo, Koi’ resonated with me more than ever before. It was truly moving.”

 

I felt the same.

Why did the dance, performed without the usual special lighting, seem so remarkable?
 

Refined Skills and Expression as a Professional

 

It was because of Hanyu’s deep intention:

 

“Since this was a charity performance, our feelings were different, and we skated with the desire to convey our thoughts more clearly to the people of the Noto region.”

 

He skated with all his heart, hoping to bring even a little joy and healing to the disaster-affected areas. This is why his performance of "Haru yo, Koi," the grand finale, was so powerful.

“I hope we can make it a time where the people affected can smile, even just a little, and feel a little healed.”

 

Gliding along to the melody of the piano, his gentle skating embraced the audience, and his fluid movements brought it all together. One of Hanyu’s signature moves, the hydroblading, saw him lower his body parallel to the ice, so close it was almost touching. When he rose, his hair was speckled with tiny ice shards kicked up by the edges of his blades.

The delayed Axel, a dynamic jump with long airtime, was a jump only Hanyu could execute. The performance was filled with all the evolution he has made as a professional.
Was his skating affected by the absence of spotlights? Hanyu’s response was straightforward:

“No matter the time or place, I always put my feelings fully into my skating. When I practice, the lighting is like this, so I don’t think there was much change in that regard.”

 

It wasn’t just Hanyu. Skaters like Takahito Mura, Akiko Suzuki, and Satoko Miyahara, who skated with him, were all unshaken. Every one of them gave their best performance within the limited conditions.

Even without top-notch equipment or an ideal environment, they could captivate people with their skills and expressions alone. They were able to convey their important emotions through their skating.

This was a demonstration of what it truly means to be a professional skater.

His Commitment to Disaster Areas Since 3.11

Looking back, it was the same during the Great East Japan Earthquake on March 11, 2011, when he was personally affected.

Hanyu lost access to his training rink and was forced to live in an evacuation shelter. Yet, he never used his difficult circumstances as an excuse. He practiced his programs for the season desperately on the rinks of the ice shows he participated in as they traveled from place to place. During those times of hardship, Hanyu began to nurture a larger dream—beyond his goal of winning two Olympic gold medals.

“One of the major motivations behind my desire to win two gold medals was that after achieving two consecutive victories, I wanted to start offering support and compassion to the disaster-affected areas. That’s why I kept pushing myself as a competitive athlete. Now, as a professional, I’m gradually able to focus more on the disaster areas.”

“Even so, for me, being a skater is what matters most, so I hope that through my acting I can be able to support the people (in the disaster area) and help them feel a little better, whether it’s 3.11 or other disasters happening at any given time. This time, I had the opportunity to contribute to the Noto earthquake through this charity.”

The world knows the name "Yuzuru Hanyu." With his unparalleled fame, he believes there are things only he can do. That’s why Hanyu skated for Noto, delivering hope to the people of the disaster-stricken area. He wanted to send as much financial aid as possible to the affected areas, drawing on the support of those who cheer for him.

As a professional who has refined his skills, Hanyu poured his heart and soul into a genuine program for the people of the disaster areas. And because of that, he didn’t need the power of spotlights to let his brilliance shine through.

 

[yuzurujenn]

*Machine-translation. Inaccuracies exist*

 

 

2024.09.21

 

Source: https://worldfigureskating-web.jp/news/8695/
https://worldfigureskating-web.jp/news/8695/2/ 
https://worldfigureskating-web.jp/news/8695/3/

Archived: https://web.archive.org/web/20240921092716/https://worldfigureskating-web.jp/news/8695/
https://web.archive.org/web/20240921092804/https://worldfigureskating-web.jp/news/8695/2/
https://web.archive.org/web/20240921092856/https://worldfigureskating-web.jp/news/8695/3/

 

Info: https://www.tvkanazawa.co.jp/event/notocharity

 

 

“Noto Peninsula Reconstruction Charity Performance ~Challenge~”
Yuzuru Hanyu & his friends deliver prayers for the recovery of Noto
 

September 21, 2024 By WFS Editorial Department

 

The "Noto Peninsula Reconstruction Charity Performance - Challenge" was held in Kanazawa City on September 15th, where Yuzuru Hanyu performed an emotional skating performance alongside Takahito Mura, Akiko Suzuki, and Satoko Miyahara. The event was held via video connecting two venues, the ice rink and Noto High School, featuring the Noto High School calligraphy club and the young Japanese drum (taiko) team "Wajima Wadaiko Toranosuke". The performance, which was based on the theme of "Challenge", was exclusively live-streamed on Docomo's video distribution service "Lemino" from 3:00 pm. The on-demand viewing will be available until September 30, 2024.

 

Spoiler

Live broadcast connecting Kanazawa rink and Noto High School

 

All proceeds from the stream will be donated to Ishikawa Prefecture. First, the skaters appeared on the rink to the powerful music of the young taiko team "Wajima Wadaiko Toranosuke", followed by a graceful yet powerful presentation from the Noto High School calligraphy club paired with a performance by Wajima-based taiko drummer Imai Subaru. 

 

In the solo segments, Takahito Mura performed "Sansan," Akiko Suzuki skated to "Hymn to Love," Satoko Miyahara chose "Stabat Mater," and Yuzuru Hanyu closed the segment with his beloved exhibition piece, "Haru yo, Koi." His performance was so moving that it seemed as if prayers for recovery were radiating from his entire body. For the finale, Mrs. Green Apple's "Que Sera Sera," Hanyu hummed the lyrics and skated his steps with a smile. At the end, the four skaters finished with their left hands raised high, their faces shining with joy.

 

During the Q&A session, the teenage students asked questions such as, "How do you overcome difficult times?", "How do you deal with nervousness?", "Who designs the costumes?", and "What do you do when you can't come up with an idea for the choreography?" At the end, each skater sent a message, bringing the hour-long performance to a close. 20 elementary school students from Ishikawa, Fukui, and Toyama prefectures were invited to the rink to watch the professional skaters perform up close. Public viewing (free of charge) of the performance was also held in four locations: Suzu City, Wajima City, Shiga Town, and Nanao City. According to the organizers, as of the 13th, more than 10,000 people had purchased tickets to watch the live stream. The on-demand stream will be available until September 30th. Additional sales of the charity T-shirts has also been decided, expanding the support network.

 

 

To cut costs, there was no (show) lighting. The performance took place on a bright rink.

 

After the performance, Yuzuru Hanyu, Akiko Suzuki, Takahito Mura, and Satoko Miyahara appeared in charity T-shirts. The four showed no signs of fatigue as they responded to questions from the press.

 

- Thank you for your hard work at the charity performance. What thoughts did you all put into your performance?
Mura: It’s quite rare to have a charity performance like this, especially when it was challenging to hold such an event, but thanks to Hanyu-kun’s influence it was made possible, and it gave great significance to skating here. I hope that I can convey the message of "It's going to be okay" that is also in the lyrics of the song I skated to this time, "Sansan," to the people who watched the live stream. I participated with the hope that this performance could provide some energy to face tomorrow and move on to the next step.

Hanyu: I think that there are people in all different situations who are watching, including some who are suffering and others who are doing well. I skated hoping that I could spread a circle of smiles among all of those people, even just a little.

Miyahara: I'm really happy to have had the opportunity to take part in such a rare charity show, and I skated hoping that I could help people through my performance.

Suzuki: Every time something like this happens, I feel so powerless, but today I came here with the feeling that by skating on an occasion like this, we might be able to convey something, and with that feeling firmly in my heart, I skated as hard as I could. (To Hanyu) Thank you so much for this opportunity.

Hanyu: Thank you.

 

- (To Hanyu) As a professional skater, has your approach to disaster-stricken areas changed?
Hanyu: Well, one of my biggest goals in wanting to win two (Olympic) gold medals was that once I won two consecutive titles, I wanted to start showing support and compassion to the disaster-stricken areas, so I had always worked hard during my active years as an athlete.
Now that I’ve finally turned professional, I've gradually started to think about disaster-stricken areas and the various disasters that have occurred. However, I still see myself first and foremost as a skater. I hope that through my performances, I can provide some support or a bit of emotional relief to everyone.

 

"notte (notte stellata)" is a project that is aimed at various disasters that occur from time to time, such as 3.11. This time, we held the project as a charity specifically for the earthquake disaster in the Noto region.

 

- (To Hanyu) I wonder if there has ever been a performance of "Haru yo, Koi" in such bright lighting...
Hanyu: Maybe not.

 

- When the lighting is dim, it feels like it resonates deeply within, but today there was a sense of various things bursting forth right from the start. Is there a different idea behind "Haru yo, Koi" in this atmosphere and place?
Hanyu: First of all, the reason we thought about the situation of no (show) lighting this time was because we wanted to keep the budget as small as possible and donate most of the money since it's a charity, so our first goal was to keep the scale as small as possible. In the end, as we were trying to cut down on production costs, we ended up going without (show) lighting, but it looks different and I'm glad that the people who usually watch it can feel a different sensation from usual. We ourselves also had a completely different feeling because it was a charity performance, and I think that we skated with a clearer intention directed towards the Noto region in our program.

 

- Like, it needs to be shown more clearly?
Hanyu: You mean technically?

- Including technical aspects.
Hanyu: Regardless, I always put my heart and soul into my skating, and since I practice under such lighting conditions, so I guess there was not much change in that aspect.

 

- Is that the case for the other three as well?
Suzuki: It might be a while since I felt this way.
Hanyu: Because they are all professionals. (laughs)
Suzuki: Well, as I made my entrance...

- Is it difficult?
Suzuki: There’s a sense of being watched, but that also made it really refreshing to skate today.

 

- (To Hanyu) Did you choose Mrs. Green Apple's "Que Sera Sera" for the finale that the four of you skated to?
Hanyu: No, it was the person in charge of the project who chose it. But I personally really like Mrs. Green Apple. The song itself has a "Nankurunaisa" spirit, which may sound Okinawan. Akiko Suzuki choreographed the song to express that feeling of telling yourself that no matter what happens, you have to look forward to the future. I think we expressed that feeling, and I feel like everyone really cherished each and every note of the song, including the vocals, and skated with hope in our hearts.

 

 

Hanyu: "I wanted to skate close to those who are struggling with various things."

 

- (Question from local media) The Noto earthquake is fading from memory, and we here in Ishikawa have the sense that it has been forgotten by the public. Today, your skating became the number one trending topic on "X," and I think it was very meaningful. Could you reiterate your thoughts on this, and also, one more thing, when you were skating while rotating, it seemed like you were lowering your upper body closer to the ground more than usual.

 

Hanyu: First, regarding the technique called "hydroblading," it’s meant to be executed in this program, so it doesn’t have a particularly deep meaning, but while this land, this surrounding area, wasn't a place that suffered great damage, this region as a whole suffered severe damage. More broadly, the ground around here shook greatly, so I felt like I wanted things to calm down.

About the fading memory of the Noto earthquake, it’s similar to the situation with "3.11." As we move further from the metropolitan area, it’s not often reported. There might be news when there are developments, but it’s a place where recovery is slow. The transportation restrictions are also greater here than in other areas, which I’ve realised both through the news and during my visits.

It’s difficult for us to comment on the fading memory, but as I mentioned earlier, I want to support disaster relief. I aimed to win two Olympic gold medals for that purpose. By using this recognition in a positive way, I hope to help those who purchased streaming tickets and contribute in whatever small way I can. Whether it’s financial support or attention, I hope that I can help even a little. 

 

- What did you say to the junior high school students when you actually visited the disaster area in June this year?
Hanyu: I had seen the situation through news reports and articles many times, but actually seeing it in person was shocking. The rawness of the scars left behind was striking. I can’t make deep comments on whether recovery is progressing, but it was clear that the wounds were still very vivid.

And it seems like time has stopped for the local people. They still remember what happened here every time they go there, or they remember how this place was destroyed, or they said they don't want to go back there anymore. I felt something pierced my heart when I heard them say that.

When I met the children, I told them, "No matter how hard things are, when the time comes, you have to do something." "No matter how much you don't want to do it, no matter how much you haven't made much progress, when the deadline comes, you have to move forward." That's what I said. It's been more than six months since the disaster, and I'm sure they're thinking about what can be done and what progress has been made, but sometimes things come and sometimes they don't, so there are times when you just have to think, "It can't be helped." But I hope that within that acceptance, there are plenty of smiles and the determination from that time.

 

- Why did you choose to skate in Ishikawa Prefecture, even in the form of live stream?
Hanyu: When I first decided to do this stream, I could have skated in other areas, and I think I could have done a lot of different things if I had wanted to. But I wanted to skate as close as possible to those who have suffered, those who are suffering now, and those who are struggling with various things. We skated while really feeling the power of the local area and the atmosphere at the venue, and I wanted to convey the importance of that energy and send out a ripple effect from this place, even just a little, hoping it would reach everyone through the broadcast.

 

[Wintek]

*Machine translation from Japanese to English, inaccuracies exist*
 

2024.09.24
Source: https://x.com/AERAnetjp/status/1838432281855221782

 

AERA September 30th Issue, Released 2024/09/24, p.41-43

 

Delivering Yuzuru Hanyu's "Prayers" from Kanazawa

"Noto Peninsula Reconstruction Charity Performance" Report

Professional skater Yuzuru Hanyu and others performed in the Noto Peninsula Earthquake Reconstruction Charity Performance on the 15th. The venue was an ice rink in Kanazawa, Ishikawa Prefecture. Through skating, they sent a message of hope to the victims of the disaster.Written by Shiho Fukui (Editorial Team)
 

Spoiler

---

[Description along the photo on page 41]

At the beginning of the event, Yuzuru Hanyu bowed deeply and greeted everyone with, "We will be skating with our prayers for all of you." He gave everything he had for the disaster-stricken areas.
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"Even if it's just a little, I hope we can spread smiles to the disaster areas." With that prayer in mind, Yuzuru Hanyu (29), the professional figure skater, performed at the "Noto Peninsula Reconstruction Charity Performance" held in Kanazawa City on the 15th (of September).

Hanyu, who is from Sendai, was also a victim of the Great East Japan Earthquake. His training base, "Ice Rink Sendai," suffered significant damage, and he couldn't use the rink until July after the earthquake. In a press conference after the performance, Hanyu spoke about his thoughts for the disaster areas:

"One of the big reasons I wanted to win two gold medals was because I wanted to start supporting disaster areas and spreading compassion after achieving consecutive victories. So, I worked hard with that feeling in mind. I thought that by using my name recognition, I could contribute, even if just a little, whether it was by raising money or drawing attention to the disaster areas."

Thoughts on Performing "Without Lighting"

True to his words, after turning professional in 2022, Hanyu has held the ice show "Notte Stellata" in his hometown of Miyagi for two consecutive years, serving as the main performer. This charity exhibition in Kanazawa was organized in a similar spirit of wanting to do something for the disaster-affected Ishikawa region. Skaters such as Takahito Mura, Akiko Suzuki, and Satoko Miyahara, all medalists from international competitions, gathered at Hanyu’s call. Mura said:

"Thanks to Yuzuru’s influence, we were able to hold this event. The significance of skating here was huge, and I personally felt it deeply."

In addition to the skaters who resonated with Hanyu's thoughts, the program also included performances by the Noto-based Japanese drum team Wadaiko Toranosuke and the calligraphy club members of Noto High School. During the introductions, it was revealed that since January 1st, they had not been able to practice as much as they wanted due to the disaster, and they even had to wash their brushes with water made from melted snow due to the lack of water.

Nevertheless, the students continued to face forward and take on challenges.

That day, Hanyu chose to skate to "Haru yo, Koi" (Spring, Come). He performed the program with rich emotion, embodying the wish for recovery. When asked about his deep "hydroblading," a movement in which he skates horizontally across the ice:

" (The area around the venue) wasn't a place where there was much damage, but the ground in the area shook so violently, so I had the feeling of wanting something to calm down."

"Haru yo, Koi" is one of the exhibition programs Hanyu has cherished, initially performed in collaboration with pianist Shinya Kiyozuka during "Fantasy on Ice" in 2018. Since turning pro, he has performed the program with lighting effects and projection mapping, creating a magical atmosphere. However, this time, he chose to perform under simple rink lighting.

"Since this is a charity event, I wanted to donate as much money as possible. Reducing the scale of the production was our top priority. Ultimately, we decided to perform 'without lighting,' but that made the program look different in a good way. For those who have seen my performances before, I hope they could feel a new perspective. Also, we as skaters had a different feeling because it was a charity event, and we skated with even more clarity of heart, thinking, 'This is for the people of the Noto region.'"

Twenty families from the Noto area were invited to the venue, and public viewings were held at four locations in Noto. The event was also streamed live, with over 10,000 tickets sold at 4,500 yen each before the event. The proceeds will be donated to Ishikawa Prefecture.

Sending Waves to the Disaster Area

Even though it was streamed and could have been held elsewhere, Hanyu insisted on holding it in Ishikawa. When asked about this by reporters, he replied:

"Of course, we could have held the event elsewhere, and we could have done many things differently. But I really wanted to skate as close as possible to the people who suffered, to those who are still suffering, and to those who are struggling with various things."

He continued:

"We skaters feel the power of the local area and the atmosphere of the place when we skate. The air here is special, and I hoped that, even if just a little, we could send some of that energy, like a wave, to everyone through the broadcast."

The event was titled "Challenge."(*) Even though more than half a year has passed since the earthquake, many are still in difficult situations. Yet, connecting each moment of doing one's best leads to the future. Hanyu, who has continued to live through such days, hopes that his prayers will continue to reach farther.
 

(*) The name of the charity performance was「挑戦〜チャレンジ〜」. The kanji (挑戦) can be defined as "Challenge", and the katakana (チャレンジ) is the Japanese writing for the English word "Challenge". Thus 「挑戦〜チャレンジ〜」could be translated as "Challenge 〜 Challenge".

「挑戦」conveys a sense of determination, effort, and striving to overcome difficulties. The character「挑」means "to challenge" or "to defy," while「戦」means "battle" or "fight," so together they signify the act of taking on a tough task, often with a sense of seriousness and resolve.

「チャレンジ」Katakana is often used for loanwords or more casual terms, so the use of「チャレンジ」can give the impression of a challenge that’s approachable, energetic, and perhaps less formal.

Possible interpretation for using kanji and katakana:
By combining both forms, the article may be creating a contrast or balance between the traditional sense of persistence (through「挑戦」) and a modern, forward-looking approach (through「チャレンジ」). The pairing of the two forms could symbolize continuity and evolution: while the struggle and effort remain, there’s also a new way of embracing challenges with hope and energy for the future.

... or it could just be an stylistic/aesthetic decision

 

 

 

[yuzurujenn]

*Machine-translation. Inaccuracies exist*

 

 

 2024.09.14 - 2024.09.15

 

Source: https://docomo-mirai.tda.docomo.ne.jp/field/report/yuzuru-hanyu_2401/ 

Info: https://www.tvkanazawa.co.jp/event/notocharity

 

 

Experience the world of professional figure skating. A close look at the experience event "Noto Peninsula Reconstruction Support Charity Performance"!

 

On Saturday, September 14th and Sunday, September 15th, 2024, we invited 20 elementary school students from Ishikawa, Fukui, and Toyama prefectures to an event where they could experience the world of professional figure skating!

On the first day, there was a skating class and a behind-the-scenes look at a live broadcast, and on the second day, the "Noto Peninsula Reconstruction Support Charity Performance - Challenge" was held, where they could watch the performances of professional figure skaters including Yuzuru Hanyu up close.

 

 

1. With Yuzuru Hanyu and Satoko Miyahara as instructors!
A skating class full of smiles

Spoiler

The children gathered together, looking a little nervous about the upcoming event. They immediately headed to the skating rink and prepared for the skating class.

The children were confused even just standing on their first skates. Before moving to the rink, they did careful warm-up exercises to avoid injury! Once they had gotten used to the skates, they moved to the rink.

 

Most of the children who participated were skating for the first time. At the rink, they started by practicing crab walking while holding onto the wall. They fell over and over, but they didn't give up and tried their best, first learning to let go and stand.

 

As they were learning the basic movements, special instructors Yuzuru Hanyu and Satoko Miyahara appeared! The appearance of these two professional figure skaters brought smiles to the faces of even the nervous children!

 

Together with Hanyu and Miyahara, we practiced putting our hands out in front of us to keep our balance and taking turns putting our left and right feet forward. There were times when the children stumbled or fell, but with the support of the two, everyone enjoyed skating.

 

They also tried a mini game where they had to go through an arch made by the two and their coach! At first, the children had a hard time keeping their balance, but in a short time they improved their skating! The parents and other people watching burst into applause.

 

At the end of the skating class, we all took a group photo! It was hard to stop where we wanted and even lining up was difficult, but everyone managed to line up nicely and pose for the photo with smiles on their faces.

 

At the end, I gave a high five to Hanyu and left the rink.
I would like to thank Hanyu, Miyahara, and all the coaches for their kind support so that even beginners could enjoy skating!

 

After the skating lesson, the children happily shared their impressions, saying, "It was scary at first, but skating was fun!", "Hanyu and Miyahara were really good at skating!", and "They praised me for being good!"

 

 

2. Learn what goes on behind the scenes at live broadcasts!

Sneak peek into TV Kanazawa

Spoiler

After a hard-working skating class, it was time for lunch at Kanazawa Chaya to recharge our batteries for the afternoon program. While enjoying some delicious local Kanazawa cuisine, we asked the children about their impressions of the skating class and their dreams for the future! (Please take a look at the video.)

 

After lunch, we moved to "TV Kanazawa" and learned about the behind-the-scenes of live broadcasting and live streaming.

Mr. Niwa, Director of the Technical Department at TV Kanazawa, explained to us how the live broadcasts that we watch every day are made, and how the live streaming of the charity performance event that was scheduled for the next day was made!

 

We were given a tour of the Kanazawa Television Station and got to go behind the scenes. In the "Sub-Control Room," which plays an important role in program production, they were in the middle of preparing for the live broadcast of the performance. Everyone was curious to see the switchers and mixers for the first time! This time, we were given a special opportunity to touch the video switching buttons and volume adjustment faders.

 

Next, we were shown around the studio of "Tonari no Terekin-chan." The children were delighted to see the scenes they always see on TV! They pretended to be announcers and talked about their impressions of the skating class and took photos!

 

We also got to see the "HD broadcast van" that would be used for the live broadcast with Noto High School the next day. The children were amazed to see that the switcher and mixer they had seen in the sub-control room were all housed in a compact space!

 

I experienced firsthand how the support of many staff members makes it possible to broadcast live the next day.

 

 

3. A roundtable discussion with Hanyu and Miyahara will also be held!

Charity performance viewing

Spoiler

On the second day, the "Noto Peninsula Reconstruction Support Charity Performance - Challenge" was held, where visitors had the opportunity to watch up close the performances of professional figure skaters including Yuzuru Hanyu.

 

Children were captivated by the professional figure skaters dancing gracefully on the ice to the music of Wajima Wadaiko Toranosuke.

The children's eyes sparkled as they watched the powerful performance, where they could even hear the sound of the ice being scraped. Watching with my very own eyes, I realized they were skating at a speed much faster than I had imagined, and I was able to appreciate the incredible performance of the professional skaters, who showed me a variety of expressions and difficult-looking poses one after another in time with the music.

 

Their wonderful performance conveyed the desire to "connect people in Ishikawa with smiles and energy", giving the children courage and hope and bringing smiles to their faces.
 

The final event was a roundtable discussion with Hanyu-san and Miyahara-san after the performance. Announcer Hirayama kept the atmosphere lively with his entertaining hosting.

We asked each person one by one the questions that were prepared in advance and had them answer all of our questions!

Q: "Have you ever wanted to quit skating?"
Hanyu: "When I was little, I often thought about quitting because the teachers were scary and it hurts to fall. But I worked really hard, and I felt that if I gave up here, it would leave me feeling really frustrated, so I told myself that no matter how hard it was, I would keep trying my best!"
Miyahara: "I did feel like quitting at one point, but it was just a year before the Olympic selection. I thought about how hard I had worked to aim for the Olympics, and if I quit now, what would that have been for? So, I decided to keep going and push forward towards my goal."

Q: "What is your dream for the future?"
Hanyu: "I hope to bring smiles to everyone, even just a little!"
Miyahara: "I hope I can convey cheerfulness through my skating."

Q: "How much did you practice per day when you were in elementary school?"
Hanyu: "Before the rink was closed, I practiced about 4 to 5 hours a day, except on New Year's Eve and New Year's Day."
Miyahara: "I was the same; I practiced about 2 to 3 hours a day before the rink was closed."

Q: "How can I become better at skating?"
Hanyu: "You just have to practice hard, and if you listen carefully to what your teachers and parents say, you will definitely get better. When you become an adult, you'll be glad that you listened to them back then."
Miyahara: "I hope you never forget that skating is fun."

Q: "What has been your happiest moment so far?"
Hanyu: "Winning the gold medal at the Olympics!"
Miyahara: "Probably when I toured overseas for the first time for an ice show."

Q: "What do you value most?"
Hanyu: "My skates and my life!"
Miyahara: "I agree, and also being able to smile every day."

 

 

We were able to hear many convincing stories from both of them, reflecting their years of hard work. There were also many questions about their favourite foods, anime, music, and colours. The roundtable was held in a friendly atmosphere filled with laughter.

Thank you to Hanyu-san and Miyahara-san for kindly answering everyone’s questions with smiles until the end, giving the children wonderful memories over these two days!