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jesenjin

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  1. Oh sure, thats why I said lately. His musings on love have to be at least a little different now, considering our perception matures with us and it would be interesting to see. He is by no means obligated, of course. In regards to POTO, I always viewed it at least half-intellectual, considering the theme is unhealthy love. Something like that movie Gone girl, romance and psychological thriller. On another note, do you think skaters who skate on larger lobes generally have better skating skills? Ive noticed it with Yuzu, Patrick and Kaori for example... Even they turns are very noticable and clear. I cant tell which turn it is without slow motion, but they take time with them, make them rythmic and elegant, and its very satisfying to watch.
  2. I am sorry for the losses. Hang in there. About Yuzu and love, as a lit major I dont think experiencing love necessarilly enriches artistic expression. After all, there are so many important diverse life experiences that artist can draw upon. However, I do think that theme of love in art is universally understandable and engaging for everyone. Id say that Yuzus programs lately give intellectual vibe more than something obviously depicting feeling, at least his copetitive ones. Success of Masquarade seems to be partly derived from the fact that it is obviously driven by feeling and passion. People in general respond to that. It would be interesting to see mature Yuzus take on romantic love or passion. Carmen, here we come
  3. Im not sure which interview it was, but I remember reading transcripts where he said he fell during program when he won his second Olympic title. I think its that program where they had segments on Plushenko, Javi and Button...
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